Hexatonics (Inside Improvisation Series, 7) [Jerry Bergonzi] on * FREE* shipping on qualifying offers. Hexatonics, is the seventh volume of Jerry. vol.7 S:JJUJXJH L lOA S31~3S NOIIVSIAO~dWI 3alSNI IZNOH:l39 A1H:l3r.. .!:,-X 1t~)r:1L-:’ “~pter 1 D C C pter’: C C::a ;’ter 3. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles.
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They are easy to think of and combining them is an accessible task for the soloist.
So David, I was wondering, does Bergonzi have any reasoning as to why he proceeds in such a fashion? Also, does Bergonzi basically cover all of the material in the Campbell book or are they complementary? Jerry Bergonzi- Vol 2 – Pentatonics Documents. D jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes.
These are the work books from Jazz Harmon If you invert these triads and voice the C triad on top of the B triad, minor 9th intervals are sounded. We improvise “in” the sound of the voicing and using hexatonic voicings and lines can lend a very contemporary sound. The chords in parenthesis are optional as they create more of an altered sound.
This hexatonic can be played over many different chords. Is there some sort of system or are they just presented randomly? B- jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting note”. Ordinarily, that symbol would mean a D triad over a e bass note.
Jerry Bergonzi Vol 7 – Hexatonics
I fully describe Mr. Vol – [Jerry Bergonzi] Documents. Thousands of pages of Jazz transcriptions! Donate to Casa Valdez!! Sure, only a few different ones, but they’re coming out. Jerry bergonzi vol 6 – Developing a jazz language Education. Select a few to practice and play in all keys keeping in mind what chords they may fit over. Jerry Bergonzi Vol 5 – Thesaurus of Education. G-7 7 Hexatonics in parenthesis create a higher degree of tension. This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures “.
A hexatonic scale is simply a scale of six notes, though these six notes are usually derived from two different mutually exclusive triads. Please note though, that any of the hexatonics can be applied to any of the tunes and progressions in the book.
In some instances you might want the more dissonant sound of minor 9ths. When the e triad is voiced on top it creates minor ninth intervals which are dissonant. By limiting bergoni selection to six tones each triad consisting of threea more concise sonority is created. Chord G 7 sus G t. Serious Resources for Serious Players View my complete profile.
Jerry Bergonzi Vol 7 –
This is meant to be a particular sound and, of course, overusing it would be comparable to over-spiced food. Try applying any of the hexatonics to progressions 13 and Have each hexatonic 1 bar,2 bars or 4 bars each. Viola vol 1 Jerry Bergonzi Vol Berklee Jazz Harmony I do plan to work on more of them soon.
For example, the conventional chords used in the Jazz idiom are oftentimes associated with parent chord-scales of seven or more tones melodic minor, major, minor, harmonic minor, hexatinics so on. This major over major ehxatonics can fit over many chords. Is Berklee College of music out of your price range?
Some hexatonics are consonant sounding against a chord type.
Like a blues scale, in the wrong hands this could be devastating! Here are some great links to free sax solo transcriptions- Sax solos link Lucas Pickford’s transcriptions Charles McNeal’s tra One way to create a hexatonic scale is to combine the notes of two triads that don’t have any common tones. For the minor 7th chords you may either use the hexatonics given on the previous page or play any “regular” scale.
Eb Real Book 5th edition Vol. Jerry Bergonzi – Inside Improvisation Vol.
Jerry Bergonzi Vol 7 – Hexatonics.pdf
In hexatpnics words, why start with Major a whole step up followed by minor a whole step above a Major triad? Note that sometimes the hexatonic includes an avoid note. B-jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. Try anticipating the dominant chord by playing the hexatonic on the preceding minor 7 chord.
Hans-jorg Rudiger for suggestions and putting it all together.
Jerry Bergonzi vol 3 – Jazz Line Education. When the B triad is voiced over the C triad, major 7th intervals are sounded.
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